Cosell's unique mock draft

Greg Cosell of NFL Films puts together his first mock draft, and it's one of the most unique around. Cosell explains how he made his selections:

"I will choose players based on my film study and my sense of team needs. I have no idea what different teams draft boards look like, nor will I try to speculate what a team might be thinking. The main objective of my mock is to further discuss the top players by putting them in a draft format. One other caveat: I am disregarding documented off-field problems, character issues, anything that is not a function of on-field play. I understand that teams significantly factor that into the equation, but I am solely basing my player evaluations on what’s on the tape. That’s what I do. I watch tape."

Cosell gives the Patriots outside linebacker/defensive end Shea McClellin (Boise State) at No. 27 and defensive lineman Michael Brockers (LSU) at No. 31.

On McClellin: "He showed the ability to get low and bend the edge as a pass rusher. He also had an instinctive feel as an inside rusher for getting skinny, and getting through small cracks. He shed blocks and made plays in the run game. He was a smooth change of direction athlete with excellent balance and body control. My sense is he will get better in the NFL with a chance to be a dynamic edge pass rusher. He’s not as purely explosive as Clay Matthews, but I see some similarities as McClellin matures and develops."

On Brockers: "Brockers is a development player with great size, long arms and natural power. When he stayed low and played with leverage he could be dominating. He also flashed quick and violent hands. Are there similarities down the road to Richard Seymour, clearly a better player coming out of college than Brockers? Will Brockers have the explosive strength and leverage to win the battle for the neutral zone? Will he establish a new line of scrimmage? The key for Bill Belichick is how impactful that kind of player is for other defenders. I can see Belichick looking at Brockers and seeing a raw, less refined Seymour; a piece of fresh clay that he can mold."

To read the mock draft, CLICK HERE.

In doing so, one comes away with an appreciation for Cosell's detail and film study.